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From the Promoter
Three years ago, Alexa Dirks began to transform. Dirks—an eminently talented vocalist equally comfortable singing lullabies, headbangers and ballads—had made a name for herself in local circles for her work in ensembles like the Juno-winning Chic Gamine. But in 2016, she stepped forward, redubbing herself ‘Begonia’ and signaling the blossom of a dynamic and intriguing artist: a glittery supernova who felt like music’s best-kept secret.
With her long-awaited debut album Fear out September 13, that secret will finally come out. Fear is a deeply personal album, at once bursting with ruminations on solitude, self-doubt, anxiety, and panic, all bundled up in that serene feeling that comes with an artist fully embracing themselves in both the past and the present tense. She wrote and co-produced the record with a familiar team: Matt Schellenberg and Matt Peters of Royal Canoe, along with Marcus Paquin, who has previously worked with The National, Arcade Fire and Local Natives.
On stage, Begonia dresses in bold, sometimes bright-coloured wardrobe: it’s how she feels most powerful, “almost like a superhero version of herself,” she says. On most tracks, her invincibility is buoyed by profound vulnerability. The title track begins with frantic clapping, and the lyrics take the cue: Begonia rattles through anxiety after anxiety, fear after fear, eventually culminating in a pained scream that acts as a pseudo-chorus we’ve all sung before. This is the power of Begonia: her music feels like something we’ve all been waiting for the chance to say, but couldn’t quite phrase, a throwback to something that’s never existed before.